We have clear and logical placement of the letters in the scripts. Each Isle (row) got its own identity. No-touch articulation as first row, any clear obstruction – consonants follows later. There are possibilities that some sounds are generated in-between these two stages. These are half touch tone. Y, R, L, V the one group and Sha, Ksha , Sa, Ha the second.
The Letters Y, R, L, V are extensions of the vowels, as premature consonants. are the four expressions of expelled heat from the mouth. These both rows are arranged again in logical way based on their locations in the mouth.
So beautifully placed that it can be explained and remembered logically. The more you think the more you understand. This chart became my wall display. We got our traditional letter chart, which was explained in the school days. I thought we should have more developed charts for so much developed scripts. This chart needs to be customized for different script in India. We are showing this for Devnagari script. Once we use these for all script we will understand the linguistic integrity of India. The framework is the same for all Indian scripts but with free architecture
To represent the Self we call it by word UHAM. In between the first letter and last letter lies our existence. What can be the best example to say that everything (BRAHMA) including self is created by sounds only?
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